Scott Henderson 1994 Dog Party

Tracklist:

01 - Hole Doggin'

02 - Fence Climbin' Blues

03 - Dog Party

04 - Same As You

05 - Milk Bone

06 - Hell Bent Pup

07 - Hound Dog

08 - Dog Walk

09 - Smelly Ol' Dog Blues

10 - Too Many Guitars




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Ludwig Hirsch 1997 Die Größten Hits Aus 20 Jahren

Genre: Liedermacher
Rate: 192 kbps CBR / 44100
Time: 01:17:40
Size: 106,53 MB


Tracklist:

01 - Die Omama 04:36

02 - Gel' Du Magst Mi 03:56

03 - Sternderl Schauen 03:37

04 - Das Geburtstagsgeschenk 03:24

05 - Komm, Großer Schwarzer Vogel 06:49

06 - Miss Burgenland 04:54

07 - Spuck Den Schnuller Aus 03:25

08 - Das Tier In Uns 03:09

09 - I Lieg Am Ruck'n 05:06

10 - Wunder 03:37

11 - In Deiner Sprache 04:07

12 - Der Wolf 05:23

13 - Der General 05:58

14 - Nicht Küssen 03:10

15 - Der Herr Haslinger 03:12

16 - Häng' Net Auf 05:22

17 - Boo-Gie Woogie 02:59

18 - In Der Kellergassen 04:56




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Bugs Henderson & The Shuffle Kings 1995 That's The Truth

Genre: Blues
Rate: 246 kbps VBR / 44100
Time: 01:07:18
Size: 116,16 MB



Review by Ann Wickstrom

Bugs Henderson splashes a warning on the inside sleeve for anyone who might not know the drill: "This is not elevator music. Crank it up!" There are no overdubs, no re-takes, and no fancy tricks on this live recording, captured on five consecutive nights in November 1994 in various clubs in Colorado. If you've never seen Henderson live, this is as close as one will likely come to hearing what he is capable of when he begins playing his trademark red Paul Reed Smith guitar. Accompanied only by his son Buddy Henderson on drums and Keith Jones on bass, the artist gives you fast instrumentals, slow blues, heavy rock, slow rock, boogies, and everything in between. There's amplifier hum and feedback, whistling fans, and songs more than ten minutes long.

One of just two covers, "Johnny B. Goode" is unlike any version heard before. It starts out with a bass solo, and then Henderson comes in with flying guitar effects. Three minutes pass before he even begins to sing. On "You Can't Sit Down," Henderson goes all out, demonstrating why he is the guitar hero he has become to followers. The center section of the song, a full three minutes, is all Henderson; a true guitar solo -- he goes it alone, no bass or drums. He throws in more heroics and licks than you can shake a whammy bar at. The Knack's "My Sharona," the Beatles' "I Feel Fine," Led Zeppelin's "Kashmir," and "Peter Gunn" all figure into the equation. In his customary audio liner notes, Henderson admits that mistakes were recorded (after one of them he even steps to the mic and says, "Sorry"), but insists that after listening to over 15 hours of tapes, he chose the songs that reflect the feeling, fire, and passion of everyone's playing instead of those on which his own playing comes as close to perfect as possible.


Tracklist:

01 - Foreplay 06:03

02 - Take Your Time 10:05

03 - That's The Truth 04:38

04 - Blue Casino 05:59

05 - Look Out 04:59

06 - Heartbreak Gumbo 07:57

07 - Johnny B. Goode 07:49

08 - Good Stuff 08:18

09 - You Can't Sit Down 11:30





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Ten Years After 1972 Rock & Roll Music To The World

Genre: Blues-Rock
Rate: 128 kbps CBR / 22050
Time: 00:45:22
Size: 41,59 MB

Review by James Chrispell

Here, Ten Years After expanded on their boogie base and continued the hits. The title cut was the hit.


Tracklist:

01 - You Give Me Loving 06:32

02 - Convention Prevention 04:22

03 - Turned Off TV Blues 05:12

04 - Standing At The Station 07:06

05 - You Can't Win Them All 04:05

06 - Religion 05:49

07 - Choo Choo Moma 04:03

08 - Tomorrow I'll Be Out Of Town 04:26

09 - Rock & Roll Music To The World 03:47





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Daniel Kahn & The Painted Bird 2009 Partisans & Parasites

A Detroit area native, Daniel Kahn attended the University of Michigan where he studied acting, directing, playwriting and poetry. After finishing his studies he lived, played music, recorded, acted, directed plays and composed theatre music in New Orleans, Detroit, New York and Ann Arbor. He has received awards for his playwriting, poetry, acting, and composing.

In summer 2005 Daniel moved to Berlin, and has became an integral part of the international yiddish and klezmer scene, playing in different groups and musical projects. He soon formed his own band, featuring a rotating roster of some of Berlin and New York's best young players.

"The Painted Bird" concocts a mixture of Klezmer, radical Yiddish song, political cabaret and punk folk, kept together by Kahn's amazing abilities as a songwriter, translator and performer; telling stories of outrageous incidents, poetically dark, tragically humorous and politically incorrect.

"The Painted Bird" has brought "Yiddish Punk Cabaret" to rock clubs, theatres, festivals and shtetls, from Berlin to Boston, Leningrad to Louisiana. The band has been called "The Yiddish Pogues," and Kahn was once described as "someone between Leonard Cohen, Bob Dylan and Tom Waits - but yiddish." On tour premiering his new album of old and original songs in Yiddish, English, German, and Russian, "Partisans & Parasites," Daniel Kahn challenges the borders between radical & traditional, lyrical & political, east & west, folk & punk, mama loshn & loshn hora. (CD-Baby)



Tracklist:

01 - Yosl Ber / A Patriot

02 - Parasites

03 - Borsht Revisited

04 - Rats

05 - Rosen Auf Den Weg Gestreut / Embrace The Fascists

06 - Six Million Germans / Nakam

07 - A Rothschild In Your House

08 - Vampirn

09 - Dumai

10 - Khurbn Katrina

11 - The Destruction Of New Orleans

12 - Mayn Rue-Plats / Where I Rest



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Alias Blues Gang 2004 Movin' The Gang

Genre: Blues
Rate: 192 kbps CBR / 44100
Time: 01:00:29
Size: 83,00 MB


Tracklist:

01 - Movin' The Gang 04:12

02 - T-Bone Shuffle 03:20

03 - Ni Siquiera Soy Negro 04:46

04 - Somebody Loan Me A Dime 03:23

05 - Evil Gal Blues 02:40

06 - Amor En Paro 04:24

07 - A Pelo 02:27

08 - Baby Why You Wanna Let Go 04:19

09 - Homework 03:58

10 - Humdrum Blues 02:42

11 - The Riff 03:58

12 - QuΘdate En Cama 04:08

13 - I'll Play The Blues For You 05:21

14 - Big Chief 02:52

15 - You Can't Judge A Book By Its Cover 07:59





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Großglockner 1982 Maximum Rock 'N' Blues (Vinyl Rip)

Genre: Blues
Rate: Vinyl-Rip
Time: 00:34:59
Size: 33,06 MB





Tracklist:


01 - Not The Real World 04:43

02 - Love And Death Blues 04:05

03 - The Electric Soap Bubble Shak 01:50

04 - Going Out Of Town 01:58

05 - Lazy Girl Blues 03:16

06 - Song For You 04:31

07 - Twice Your Age 04:25

08 - Rest Of The Day 10:11



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Ronnie Earl & Duke Robillard 2005 The Duke Meets The Earl

Genre: Blues
Rate: 256 kbps CBR / 44100
Time: 01:12:10
Size: 132,03 MB

Review by Steve Leggett

The Duke Meets the Earl seems like an obvious album, pairing two of New England's finest contemporary blues guitarists, Duke Robillard and Ronnie Earl, who both share the same sort of hard, clear tone in their playing (Earl actually replaced Robillard in Roomful of Blues when the latter left the group for a solo career). For Earl, who has been working in a kind of jazz blues hybrid style in recent years, it marks a return to straight blues, and with guests like Jimmy McGriff and Mighty Sam McClain aboard on select tracks, 'The Duke Meets the Earl' has the feel of a super session.

Throughout, Earl's guitar is featured in the left channel and Robillard's in the right, leading to some wonderful guitar dialogues, particularly on an epic, nearly 16-minute-long version of Walter Price's "My Tears." Another extended workout occurs on "A Soul That's Been Abused," an Earl original, which features McClain on vocals and stretches out to just over 13 minutes. McGriff brings his Hammond B-3 magic to two cuts, Eddie Taylor's "Lookin' for Trouble" and B.B. King's "I Need You So Bad," while the B-3 part on "A Soul That's Been Abused" is handled by Dave Limina. Other highlights include covers of T-Bone Walker's "Two Bones and a Pick," Magic Sam's "What Have I Done Wrong," and Earl's smooth, clear slide style on another original, "Zeb's Thing." With only eight tracks, but clocking in at over 70 minutes, The Duke Meets the Earl gives these two fine guitarists plenty of room to talk to each other, and the result is a classy set of no-frills contemporary blues, with just the slightest hint of jazz to keep it all smooth.


Tracklist:

01 - West Side Shuffle 07:47

02 - Two Bones & A Pick 08:09

03 - My Tears 16:00

04 - Lookin For Trouble 04:29

05 - What Have I Done Wrong 06:46

06 - Zeb's Thing 07:33

07 - I Need You So Bad 08:17

08 - A Soul That's Been Abused 13:09





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Denny Freeman & The Cobras 1994 Denny Freeman & The Cobras

Genre: Blues
Rate: 192 kbps CBR / 44100
Time: 01:09:13
Size: 95,10 MB



Biography by Dan Forte

This Dallas native and Austin fixture was co-lead guitarist in the Cobras with Stevie Vaughan, before joining Angela Strehli (cutting two solo LPs during his stint with the songstress), contributing to Big Guitars from Texas, and recording with Lou Ann Barton. More original and out-on-a-limb than most textbook-blues players, he co-wrote "Baboom/Mama Said" on the Vaughan Brothers' Family Style and played guitar and piano on tour with Jimmie Vaughan following the latter's Strange Pleasure.



Tracklist:

01 - Tomcat 05:15

02 - Harlem Shuffle 06:39

03 - First To Let You Know 05:56

04 - Blow, Joe, Blow 03:38

05 - Learn To Treat Her Better 04:56

06 - Checkin' Up On My Baby 03:01

07 - House Party 04:05

08 - I Smell Trouble 05:48

09 - See See Baby 04:15

10 - I'll Go Crazy 02:55

11 - Gangster Of Love 05:18

12 - Playboy Hop 04:45

13 - Mary Sue 03:05

14 - That's How Strong My Love Is 02:32

15 - Further On The Road 04:06

16 - Peter Gunn 02:59




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Jane 1974 III

Genre: Progressive Rock
Rate: 320 kbps CBR / 44100
Time: 00:42:34
Size: 97,39 MB

Jane biography

Playing a melodious synthesis of symphonic hard rock that has occcasionally been compared to Pink Floyd, Hanover Krautrockers Jane can trace their origins back to the late sixties psychedelic band Justice Of Peace. Releasing a single Save Me/War, the band featured future Jane members Peter Panka on vocals, Klaus Hess on bass and Werner Nadolny on saxophone. By late 1970 Justice Of Peace had dissolved and regrouped as Jane with Panka on vocals and drums, Hess switching to guitar and Nadolny assuming keyboards. Charly Maucher joined on bass and power vocalist Berndt Pulst completed the band in April 1971 and their first LP "Together" was released in the spring of 1972. Singing in broken English, which helped create passionate effects, a heavy expressive bluesy sound emerged with blistering Les Paul solos and slabs of Hammond organ backdrops that was consolidated by Peter Panka's almost hypnotic oscillating drum beats that would charcterize Jane's music for almost 40 years. "Together" was warmly recieved by the German music press including Sound magazine who had declared Pulst it's vocalist of the year for 1971.

The first of an almost continual succesion of lineup changes occurred later that year with Pulst departing and Maucher bowing out for health reasons. Former Justice Of Peace guitarist Wolfgang Krantz joined on bass and guitar with Panka and Hess sharing the vocals which displayed even more lethargic and stoned out sonic timbres. Applying their proven formula, their 1973 follow up "Here We Are" was somewhat more harmonious with the the addition of synthesizers that provided spacier atmospheres and produced a fan favourite in the form of the sombre rock ballad "Out In The Rain" . Shortly after the album's release Nadolny left to form a new band Lady with the recovered Maucher returning on bass and vocals. Jane's third endeavour, simply entitled Jane III, was a scorching guitar blowout and with Krantz on second guitar. The void left by departing keyboardist Nadolny was adequately compensated for with two dueling guitarists as demonstrated by an impressive in-studio jam entitled " Jane Session" as well as a spaced out extended track "Comin' Again" featuring Maucher's harder edged vocals. Not long after the release of Jane III, Maucher and Krantz departed, eventually forming Harlis on the fledgling Sky Records label. In May 1974 Jane rejuevenated itself by absorbing two members from the recently disbanded hard rock band Dull Knife with Martin Hesse ...Playing a melodious synthesis of symphonic hard rock that has occcasionally been compared to Pink Floyd, Hanover Krautrockers Jane can trace their origins back to the late sixties psychedelic band Justice Of Peace. Releasing a single Save Me/War, the band featured future Jane members Peter Panka on vocals, Klaus Hess on bass and Werner Nadolny on saxophone. By late 1970 Justice Of Peace had dissolved and regrouped as Jane with Panka on vocals and drums, Hess switching to guitar and Nadolny assuming keyboards. Charly Maucher joined on bass and power vocalist Berndt Pulst completed the band in April 1971 and their first LP "Together" was released in the spring of 1972. Singing in broken English, which helped create passionate effects, a heavy expressive bluesy sound emerged with blistering Les Paul solos and slabs of Hammond organ backdrops that was consolidated by Peter Panka's almost hypnotic oscillating drum beats that would charcterize Jane's music for almost 40 years. "Together" was warmly recieved by the German music press including Sound magazine who had declared Pulst it's vocalist of the year for 1971.

The first of an almost continual succesion of lineup changes occurred later that year with Pulst departing and Maucher bowing out for health reasons. Former Justice Of Peace guitarist Wolfgang Krantz joined on bass and guitar with Panka and Hess sharing the vocals which displayed even more lethargic and stoned out sonic timbres. Applying their proven formula, their 1973 follow up "Here We Are" was somewhat more harmonious with the the addition of synthesizers that provided spacier atmospheres and produced a fan favourite in the form of the sombre rock ballad "Out In The Rain" . Shortly after the album's release Nadolny left to form a new band Lady with the recovered Maucher returning on bass and vocals. Jane's third endeavour, simply entitled Jane III, was a scorching guitar blowout and with Krantz on second guitar. The void left by departing keyboardist Nadolny was adequately compensated for with two dueling guitarists as demonstrated by an impressive in-studio jam entitled " Jane Session" as well as a spaced out extended track "Comin' Again" featuring Maucher's harder edged vocals. Not long after the release of Jane III, Maucher and Krantz departed, eventually forming Harlis on the fledgling Sky Records label. In May 1974 Jane rejuevenated itself by absorbing two members from the recently disbanded hard rock band Dull Knife with Martin Hesse on bass and Gottfreid Janko on vocals and keyboards. The slightly more upbeat Lady album was recorded by this lineup in early 1975 during which time Matthias Jabs of Scorpions fame would also join them for a breif period for some live performances.

Keyboardist Werner Nadolny returned in 1976 for Jane's expansive 33 minute symphonic progressive rock masterpiece " Fire, Water Earth & Air". Featuring Layers of Hammonds, Moogs, mellotrons and synths, it was unquestionably Jane at their creative zenith and the Jane album that would hold the most appeal for progheads. Nadolny would split once again after the completion of "Fire, Water, Earth & Air" and was appropriately replaced by Eloy keyboardist Martin Weiczorke for an extensive tour that spawned another coup de grace for JANE resulting in the stunning " Live At Home" double live LP replete with a cover of a Martian landscape snapped by the Viking Mars lander. Released in early 1977 and broadcast nationally in it's entirety in on WDR Radio in January of that year, "Live At Home" went gold in their native Germany and helped them break the international markets in both North America as well as Japan and South America.

Containing somewhat darker conceptual atmospheres, their 7th studio album "Between Heaven & Hell" once again followed progrock pardigms. Mixed reactions within the German music press did not prevent the album from being embraced by fans that was at times similar to Pink Floyd's capacious stylings. By this time Jane had become one of the top draws in the German music scene as well as attracting followings in Switzerland and Austria even though they continued to sing in English. Recorded in the band's personal 24 track studio, 1978's Age of Madness rocked it out a little harder maintaining emotional spacey timbres and was released internationally, being presented in clear and red vinyl formats on the now defunct Canadian label Bomb Records. A successful European tour ensued but Weiczorke departed in early 1979. Jane's following album "Sign No. 9" was a near disaster with Jane being reduced to a trio forcing Hess to double on keyboards and the album inevitably had a guitar dominated sound which was devoid of the spacious moods created by lush keyboards on earlier Jane recordings. Signs of creative burnout cast some doubts not only in the minds of fans but within the band themselves.

A new direction was taken in the 1980s on a self-titled album that is sometimes referred to as "Mask" by afficiados. It incorporated new wave, punk and jazzy elements in straight rock configurations and introduced a new vocalist/guitarist/keyboardist, Yugoslavian eccentric Predrag Jonanovic or "Pedja". Vocals were never Jane's forté and Pedja's energetic deliveries gave them a fresh sound but unfortunately it was his only appearance with the band and he returned to his native Yugoslavia to form the synth-pop group D'Boys. Bassman Charly Maucher returned to the fold for 1982's "Germania" and although it contained some more experiments including a reggae excursion on the track "Get Back To You" Jane remained, for the most part, a straight hard rock band and included a reworked version of "Twighlight" from their "Between Heaven & Hell" album entitled "Southern Line" that even ventured into heavy metal territory. Internal disagreements between founding members Peter Panka and Klaus Hess resulted in Hess' departure in 1982. He would subsequently release a solo album "Stementanz" in 1983 that would recall earlier Jane stylings.

Meanwhile, after collaborating on the musical production on the German rock Opera "Warlock" with other former members of Jane, Peter Panka reformed Jane as a touring band under the moniker Lady Jane in 1984 with various musicians. Unfortunately a coherent unit failed to materialize for the remainder of the decade and only one pop-oriented album "Beautiful Lady" was released in 1986 with no real connection to past glories. Two live albums were also released in 1989 and 1990 with the former being limited to only 300 pressings and both featured Panka on drums/vocals, Nadolny on keyboards, Klaus Henatsch on bass & keyboards and Kai Rueter on guitar performing older Jane material.

In 1992 Hess and Panka attempted to reconcile and along with Nadolny on keyboards and with Jens Dettmer they embarked on a reunion tour that included 13 dates in New Zealand! But the reconciliation failed and Jane split into two factions with Hess calling his version Mother Jane while the Panka formation became unofficially known as Peter Panka's Jane as he retained the rights for the band name and logo. In `96 Peter Panka's Jane ( initially referred to as Pano's Jane) recorded the studio album " Resurrection" and introduced ex- Epitaph member Klaus Walz along with Kai Reuter ( formerly of Kasch ) on guitars with veteran Nadolny returning on keyboards and Mark Giebeler on bass. Meanwhile Hess' Mother Jane with younger musicians was also touring playing mostly Jane classics, releasing a single in 1998 and finally a suprisingly impressive live album "Comes Alive" in 2000 that reflected the heavier side of Jane.

A more cohesive attempt was made by Panka in 2002 to rekindle the classic Jane groove of the seventies with Klaus Walz joining original members Panka, Nadolny and Maucher. A new album " Genuine"( that also contained some live tracks from the failed `92 reunion ) materialized and was followed by a tour which saw the band performing the new material but focused on renditions of old classics. A live album, "Live 2002", documented the shows and although not possessing the impact of 1976's "Live at Home", it was a definite indication of Jane's return to the limelight attracting both old and new fans. Not content to tour soley as a retro-Jane band, two more studio albums were released in 2003 ( Shine On ) and 2007 ( Voices) that burned on in the classic Jane tradition.

Tragically, founding member Peter Panka passed away as result of cancer in June 2007 which put the band on hold. However, in compliance with Panka's wishes original member Charly Maucher took over as leader and another studio album "Traces" was released in 2009 with the current lineup of Charly Maucher on lead vocals/bass, Klaus Waltz guitar/vocals, Arndt Shulz guitar vocals and Fritz Randow ( ex Eloy & Saxon ) on drums plus Werner Nadolny on keyboards. Although Werner Nadolny has since left the band, he currently tours with his own Jane tribute band performing vintage Jane material. Klaus Hess' Mother Jane also remains active with a recently released 2009 album titled " In Dreams".

Along with other bands such as Amon Duul II, Grobschnitt and Guru Guru, Jane continues to bear the torch of the early seventies Krautrock phenomenom and continues on in that spirit to this day in three different guises led by original members.

Why this band should be included in Progarchives :
legendary German band that combined symphonic elements with blues based hard rock to create a distinct groovy sound that has endured for 40 years.

Biography by Ian Gledhill ("vibrationbaby") January 2010



Tracklist:

01 - Comin' Again 09:44

02 - Mother Don't You Know 05:55

03 - I Need You 04:56

04 - Way To Paradise 03:31

05 - Early In The Morning 05:27

06 - Jane-Session 04:23

07 - Rock'n'roll Star 04:50

08 - King Of Thule 00:40

09 - Baby What You're Doin' 03:08



official website: http://www.jane-music.com/



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Vienna City Blues Band 1999 Play My Blues

Genre: Blues
Rate: 320 kbps CBR / 44100
Time: 00:44:28
Size: 101,69 MB





Tracklist:

01 - Hello Josephine 04:12

02 - The Sun Is Rising 03:59

03 - The Sweetest Thing 01:37

04 - Angelina 05:22

05 - No Good Woman 02:28

06 - Crazy Boogie 03:19

07 - I Can't Understand It 05:35

08 - Don't Give Me That 01:41

09 - Merry Way 03:17

10 - Play My Blues 06:29

11 - Harmony Feeling 03:52

12 - I Like Your Kind Of Style 02:37





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Axel Zwingenberger 1992 Between Hamburg & Hollywood

Genre: Boogie
Rate: 128 kbps CBR / 44100
Time: 01:01:15
Size: 56,17 MB

Biography by Greg Prato

German blues/boogie-woogie pianist Axel Zwingenberger was born in Hamburg on May 7, 1955. Originally, Zwingenberger studied classical piano (for 11 solid years), before discovering such authentic blues artists as Albert Ammons, Meade "Lux" Lewis, and Pete Johnson, who served as an immediate influence on the pianist. Along with three other piano playing friends, Zwingenberger began playing blues concerts and festivals on a regular basis, including the 1974 First International Blues and Boogie Woogie Festival for a West German radio station in Cologne, as well as Hans Maitner's annual festival, Stars of Boogie Woogie, in Vienna.

By 1975, Zwingenberger received his first recording contract, issuing such solo recordings as Boogie Woogie Breakdown, Power House Boogie, and Boogie Woogie Live, as well as lending his talents to recordings by such artists as Lionel Hampton, Jay McShann, Big Joe Turner, Lloyd Glenn, Joe Newman, Sippie Wallace, Mama Yancey, Champion Jack Dupree, Sammy Price, Ray Bryant, Charlie Watts, Vince Weber, and the Mojo Blues Band, among others. In addition to issuing other solo recordings, Zwingenberger continues to tour all over the world and has also authored several publications about blues/boogie-woogie music and musicians.



Tracklist:

01 - Boogie Call Blues 04:59

02 - Ridin' The Rocket 04:15

03 - Joe's Lonesome Blues 05:54

04 - Don't Be Mad At Me, Pretty Mama 04:26

05 - Palm Tree 03:35

06 - Funky Stuff 02:55

07 - Freeway Driver 01:43

08 - Struttin' The Boogie 03:22

09 - Hollywood Special 03:01

10 - L & A Groove 04:04

11 - Three O'clock Stomp 03:24

12 - Sunset And Gower Blues 04:19

13 - Boogie Woogie Mess Around 03:02

14 - Lonesome Sundown 03:39

15 - Crawdad Hole 05:49

16 - Watch The Boogie 02:48




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Leningrad 2003 Vtoroy Magadanskiy (The Second Magadan)

Genre: Ska-Punk
Rate: 128 kbps CBR / 44100
Time: 00:33:20
Size: 30,48 MB


Tracklist:

01 - Glavnoe Rebyata Serdtcem Ne Staretj (The Main Thing Children, Heart To Not Grow Old) 02:24

02 - Krasnyi Moskvich (Red Muscovite) 04:13

03 - Zhopa (Ass) 04:17

04 - Kak Zhitj (How To Live) 03:02

05 - Mama Nalivai (Mum, Pour) 02:20

06 - Nozhik (Knife) 02:07

07 - Otmychka (Master Key) 02:57

08 - Super Good 02:04

09 - Tufeljki (Paramecium) 04:36

10 - Yablochko 02:38

11 - Kopeika (Copeck) 02:42





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Daniel Kahn & The Painted Bird 2006 The Broken Tongue

Fronted by Jewish-Detroiter singer-songwriter Daniel Kahn on vocals, accordion, piano and guitar with East German Johannes Paul Graesser on fiddle, US expat composer Michael Tuttle on upright bass and a rotating roster of some of Berlin and New Yorks best young Klezmer and Balkan players, the band was formed in Berlin in fall of 2005. Guest artists on the CD include NY downtown Tsadik players Brandon Seabrook & Eric Rosenthal (Naftule's Dream), Holland's rising yiddish folk diva Niki Jacobs (Nikitov), and members of Berlin's "Grinstein's Mishpoche" and "Shikker Vi Lot." Like the grotesque Jerzy Kosinski novel from which they take their name, The Painted Bird reminds us that even if man is only an animal, he can still sing (CD-Baby)



Tracklist:

01 - Beyze Vintn

02 - Broken Tongue

03 - Yesterday Is Buried

04 - Nakht Un Regn

05 - Migrant Chorale

06 - Judenhure Marie Sanders

07 - Birkenau

08 - Unter Di Khurves Fun Poyln

09 - Son Of Plenty

10 - Ballad Of Edward The Young

11 - Man Of Plenty

12 - Silver Window



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The Beat Daddys 1992 No We Ain't From Clarksdale

Genre: Blues-Rock
Rate: 254 kbps VBR / 44100
Time: 00:40:43
Size: 69,97 MB

Biography by Richard Skelly

An amalgamation of blues and Southern rock, the Beat Daddys are comprised of Lewis Ross (drums), Brill Morris (bass and vocals), Larry Grisham (guitar, harp and vocals), and Britt Meacham (guitar and vocals). Meacham, from Mobile, Alabama, was a member of Jackson Highway, a group that recorded for Capitol Records, and also toured with soul-blues man Little Milton Campbell. Bassist Morris was part of Mercury Records' David and the Giants and performed in a popular regional Gulf Coast band, Magik. Drummer Ross, also from Mobile, was a founding member of Wet Willie, and he was involved in co-writing the band's hits "Keep on Smilin'," "Red Hot Chicken" and "Macon Hambone Blues."

The Beat Daddys formed in Evansville, Indiana in the mid-1980s and released their own self-produced album before signing with Malaco Records. Their two mid-1990s Malaco/Waldoxy releases, No, We Ain't From Clarksdale and South to Mississippi, are not straight-ahead blues, to be sure, but fans of blues, roots-rock and Southern rock can find much to appreciate in either of them.


Tracklist:

01 - Tear The House Down

02 - Livin' This Love

03 - Evil Memory

04 - This Is Gonna' Change Your Mind

05 - She Knocks Me Out

06 - Bad News

07 - Different Name

08 - I'll Always Love You

09 - Tick Of The Clock

10 - The Delta Song



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Black Cat Bone (Germany) 1992 Delta Blues

Genre: Blues
Rate: 192 kbps CBR / 44100
Time: 00:44:04
Size: 60,43 MB

The band formed in 1979 based around an excellent guitarist and singer, Hans McMinamin. Countless concerts in Germany and neighbouring European countries, in addition to their appearance at the Montreux Jazz Festival have proved that their reputation as an extraordinary live band is well-earned.

A variety of Blues legends such as Katie Webster, Sidney “Guitar Crusher” Selby or Rick Derringer (The McCoys) were so impressed by the band, they booked them to tour with them as support.

The 11 CDs the band has released – also with masters of their craft such as Alvin Lee (Ten Years After), Chris Farlowe (Colosseum), Calvin Owens (BB King’s Musical Director), Katie Webster and Sidney “Guitar Crusher” Selby – represent further milestones which can be charted in the band’s 30-year history. The absolute highlight was the studio-session for the “Taylormade” album. Mick Taylor, the former Rolling Stones guitarist, came to Tübingen to play as guest musician on the album. (http://www.myspace.com/blackcatbonetuebingen)


Tracklist:

01 - Treat Me Right 03:52

02 - Larry Is Back 03:05

03 - Ain't Doin' Too Bad 04:09

04 - Just A Fool 03:43

05 - Reconsider Baby 09:52

06 - Delta Blues 18:11

07 - A Hachch'n A Maji 01:12





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Scott Henderson 1997 Tore Down House

Tracklist:

01 - Dolemite

02 - Tore Down House

03 - Meter Maid

04 - I Hate You

05 - Gittar School

06 - Xanax

07 - Continuum

08 - You Got Off On Me

09 - Mocha

10 - Harpoon

11 - Same As You



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Loyko 2000 Loyko In Russia

Genre: Gypsy
Rate: 207 kbps VBR / 44100
Time: 01:04:02
Size: 83,28 MB


Tracklist:

01 - All The Cards 03:33

02 - Christmas Present For Nunja 04:45

03 - Maljarkiza 05:11

04 - Loyko 05:45

05 - Sashenka Mashenka 04:18

06 - Tyrka 03:57

07 - Gambrinus 02:59

08 - The Old Fiddler 02:58

09 - Bosonova Karen 05:36

10 - Moldova 07:12

11 - Canariki 02:49

12 - Snova Slyshu 05:16

13 - Midnight Cat 09:43




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Quicksilver Messenger Service 1969 Shady Grove

Genre: Psychedelic Rock
Rate: 256 kbps CBR / 44100
Time: 00:43:32
Size: 79,63 MB

Review by Lindsay Planer

The third long-player from San Francisco psychedelic icons Quicksilver Messenger Service (QMS) is a direct contrast from their previous discs. Shady Grove (1969) is comprised mostly of shorter and self-contained pieces as opposed to the long and extended jams that were so prevalent on their self-titled debut (1967) and Happy Trails (1969). Ironically, the one stretched-out instrumental is courtesy of their latest acquisition -- Brit recording session guru Nicky Hopkins (keyboards). Another possible reason for the shift in style as well as personnel is the conspicuous absence of Gary Duncan (guitar) -- who is rumored to have been a "guest" of Bay Area law enforcement at the time. The band incorporate a number of different styles on the album.

Kicking off the disc is an up-tempo rocking version of the traditional Appalachian folk song "Shady Grove." The QMS reading is highlighted by John Cipollina's trademark fluid fretwork and a familiar "Bo Diddley" backbeat -- reminiscent of both "Who Do You Love" and "Mona" from the live ensemble LP Happy Trails. The slow and dark "Flute Song" is a trippy minor chord masterpiece that is augmented by the shimmering effect of Hopkins' airy piano lines which mingle throughout the light orchestration. Additionally, QMS try their hand at the same country & western-flavored sound that was making the rounds with their San Fran contemporaries the Jefferson Airplane ("The Farm") and the Grateful Dead ("Dire Wolf"). However, the down-home cowboy waltz "Word's Can't Say" never gets out of the stable, unfortunately. This somewhat uneven effort would sadly foreshadow QMS's journey from psychedelia and into a much more pop-oriented sound on their follow-up, Just for Love (1970). However, enthusiasts of those albums will find much more to revisit on Shady Grove than those who favored the first two records.



Tracklist:

01 - Shady Grove 03:01

02 - Flute Song 05:24

03 - Three Or Four Feet From Home 03:06

04 - Too Far 04:31

05 - Holy Moly 04:26

06 - Joseph's Coat 04:49

07 - Flashing Lonesome 05:29

08 - Words Can't Say 03:23

09 - Edward, The Mad Shirt Grinder 09:23




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Chickenfoot 2009 Chickenfoot

Genre: Rock
Rate: 217 kbps VBR / 44100
Time: 00:57:49
Size: 92,17 MB


Tracklist:



01 - Avenida Revolution 05:57

02 - Soap On A Rope 05:33

03 - Sexy Little Thing 04:15

04 - Oh Yeah 04:54

05 - Runnin' Out 03:53

06 - Get It Up 04:42

07 - Down The Drain 06:18

08 - My Kinda Girl 04:35

09 - Learning To Fall 05:14

10 - Turnin' Left 05:49

11 - Future In The Past 06:39



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Leningrad Cowboys 2004 We Cum From Brooklyn

Genre: Rock
Rate: 224 kbps CBR / 44100
Time: 00:51:40
Size: 82,75 MB


Tracklist:

01 - Those Where The Days 04:16

02 - Fat Bop Dollop 03:13

03 - No Sense At All 03:50

04 - Thru The Wire 06:20

05 - Kassaka 04:00

06 - Sauna 02:08

07 - Katjusha 02:27

08 - The Way I Walk 03:54

09 - Monkey Hat 02:33

10 - I'm Gonna Roll 03:09

11 - Sally Is Something Else 02:39

12 - Get On 02:59

13 - Herzilein 03:47

14 - These Boots 03:09

15 - Back In The U.S.S.R. 03:16





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Bon Jovi 1998 Crossroad

Genre: Rock
Rate: 128 kbps CBR / 44100
Time: 01:17:01
Size: 70,35 MB



Tracklist:

01 - Livin' On A Prayer 04:11

02 - Keep The Faith 05:45

03 - Someday I'll Be Saturday Night 04:39

04 - Always 05:54

05 - Wanted Dead Or Alive 05:07

06 - Lay Your Hands On Me 05:59

07 - You Give Love A Bad Name 03:44

08 - Bed Of Roses 06:36

09 - Blaze Of Glory 05:36

10 - In These Arms 05:20

11 - Bad Medicine 05:17

12 - I'll Bethere For You 05:42

13 - In And Out Of Love 04:28

14 - Runaway 03:53

15 - Never Say Goodbye 04:50




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Rod Piazza & The Mighty Flyers 2004 Keepin' It Real

Genre: Blues
Rate: 192 kbps CBR / 44100
Time: 01:09:40
Size: 95,54 MB



Tracklist:

01 - Big Blues Party

02 - Good Morning Little School Girl

03 - Baby Please Don't Go

04 - Just Like A Woman

05 - Pretty Thing

06 - Tick Tock

07 - Moving In A West Coast Way

08 - Ain't Nothing Happening

09 - Ain't Nothing Shakin'

10 - West Coast Midnight Blues

11 - Buzzin'

12 - That's What She Hollered

13 - Devil's Foot



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The Homemade Jamz Blues Band 2008 Pay Me No Mind

Genre: Blues
Rate: 320 kbps CBR / 44100
Time: 00:47:31
Size: 108,68 MB

Review by Steve Leggett

Tupelo, MS-based siblings Ryan Perry (15 years old), Kyle Perry (13 years old), and Taya Perry (10 years old) may be young but they've sure got a handle on what the blues is all about, and this debut disc is eye opening for its professional sound and personal vision.

Most of that comes from Ryan Perry, whose guitar playing and rough-hewed, smoky vocals sound like they come from a man at least twice his age, and aside from the set-closing cover of John Lee Hooker's "Boom Boom," he wrote everything here, and again, it's hard to believe that such solid and fully realized blues songs like "The World's Been Good to You," "Penny Waiting on Change," and the trance blues stunner "Pay Me No Mind" were written and delivered by a teenager. This is a group that can only get better, and that's a delightfully scary thought, because this album is pretty good already. Stay tuned to this band.



Tracklist:

01 - Who Your Real Friends Are 04:31

02 - Voodoo Woman 04:36

03 - The World's Been Good To You 04:42

04 - Right Thang Wrong Woman 04:11

05 - Penny Waiting On Change 05:12

06 - Blues Concerto 02:56

07 - Time For Change 03:54

08 - Pay Me No Mind 04:29

09 - Jealous 03:13

10 - Shake Rag 03:41

11 - Boom Boom 06:06





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Jane 1972 Together

Genre: Progressive Rock
Rate: 320 kbps CBR / 44100
Time: 00:43:53
Size: 100,39 MB

Review by Mike DeGagne

Inundated with every characteristic of progressive rock, Germany's Jane combined elements of jazz fusion, space rock, and even heavy metal at times to come up with a sound that was always exciting and never restrained. On 1972's Together, they fabricate a sound that combines the percussiveness of hard rock with the expansive wandering of makeshift melodies, all kept intact by the vocals of Berndt Pulst, who luckily doesn't have to be a great singer thanks to the intricacies of the organ and flute that are widely predominant.

Nonetheless, this debut album offers up some engaging prog rock through the freestyled transience of the lead and bass guitars. The full 12 minutes of "Spain" is punctuated with some stellar drum playing via Peter Panka and some interesting singing from bass player Charly Maucher near the end. Showing signs that their music will gain experimental momentum in future albums (and it did), the placid eeriness that is germinated in "Daytime" and "Hangman" prove that Jane have their roots firmly planted in the space rock and Krautrock genres, only to evolve into other avant-garde areas later in the '70s on albums like Here We Go and Fire, Water, Earth & Air. As one of the most popular bands on the progressively oriented Brain label, Jane's exploratory brand of guitar/organ/percussion based music is well-established throughout these six tracks.


Tracklist:

01 - Daytime 08:07

02 - Wind 04:58

03 - Try To Find 05:28

04 - Spain 11:59

05 - Together 03:47

06 - Hangman 09:34




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The Beat Daddys 2001 Delta Vision

Biography by Richard Skelly

An amalgamation of blues and Southern rock, the Beat Daddys are comprised of Lewis Ross (drums), Brill Morris (bass and vocals), Larry Grisham (guitar, harp and vocals), and Britt Meacham (guitar and vocals). Meacham, from Mobile, Alabama, was a member of Jackson Highway, a group that recorded for Capitol Records, and also toured with soul-blues man Little Milton Campbell. Bassist Morris was part of Mercury Records' David and the Giants and performed in a popular regional Gulf Coast band, Magik. Drummer Ross, also from Mobile, was a founding member of Wet Willie, and he was involved in co-writing the band's hits "Keep on Smilin'," "Red Hot Chicken" and "Macon Hambone Blues."

The Beat Daddys formed in Evansville, Indiana in the mid-1980s and released their own self-produced album before signing with Malaco Records. Their two mid-1990s Malaco/Waldoxy releases, No, We Ain't From Clarksdale and South to Mississippi, are not straight-ahead blues, to be sure, but fans of blues, roots-rock and Southern rock can find much to appreciate in either of them.




Tracklist:

01 - Miss Dixie

02 - Delta Vision

03 - Ten Pounds Of Love

04 - Telephone, Telephone

05 - Luna Blue

06 - Beg Borrow Steal

07 - She's All That

08 - After The Mistery

09 - Lien On Your Love

10 - Can't Be Satisfied

11 - Somebodys Waiting

12 - You Make It Hard

13 - Reasons




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Sarasota Slim 1991 Bourbon To Beale

Genre: Blues
Rate: 320 kbps CBR / 44100
Time: 00:47:00
Size: 107,48 MB

Album Notes:

From the heart of Miami to the soul of Chicago runs a road that Sarasota Slim grew up within sight of. It is the same road, coincidentally, that Dickie Betts sang he was born on in Ramblin'Man. Although modern life has left behind this means of linking cultures, Highway 41 figuratively connects today's breed of blues players from the South and the North in much the same way Highway 61 carried the music of an earlier generation down to New Orleans and back up again through Memphis to St. Louis. And yes, Sarasota Slim has taken Highway 41 south many a time ... to play Miami's historic Tobacco Road. But these days his sights are aimed more toward Chicago.

Sarasota Slim fronts a three piece powerhouse with a small arsenal of blues styles ranging from the simplistic strength of the Delta to the electric big city sound with a seemingly endless variation of leads obtainable from his dobro, slide, and electric guitars. The band's pure blues repertoire is complimented by his vocal talents that allow for a change from grit and growl to slow, smooth, blue eyed soul. Sarasota Slim's performances exemplify an American art form, with its roots in the South, adapting to contemporary tastes without abandoning tradition.

As a skinny teenager trying to play guitar, Sarasota Slim's influences were typical of the American interest in blues based rock during the late sixties and early seventies. While probably it was attending some of the first Florida performances of the Allman Brothers, Johnny Winter, and Freddie King that proved his blues beacon. Lots of determination and several years later a local harp hotshot, Rock Bottom, helped affirm his destiny by suggesting that a guy who played guitar like that couldn't call himself Gene Hardage anymore. And having had Greg Allman sit in with him a couple of times since then only reiterated his belief that blues has been his road to follow ... but a more likely explanation of this modem bluesboy's story in that Highway 41 was singing Sarasota Slim a tune each time he went down it.

"Sarasota Slim plays the blues - the Florida blues. You know, the music culled from the atmosphere and ambience permeating the Allman Brothers Band's early days in the Sunshine State ... The group relies heavily on organ, piano, and guitar to showcase a gritty blues sound ... Hardage is an excellent slide guitarist. He's fashioned a homemade pickup for his dobro that gives him the biting sustain slide players seek... So be it B.B. King or Albert King, Sarasota Slim plays the blues with passion and pride, carrying on a tradition that the world now recognizes as an integral part of a distinctly American tradition." Willard Strong, The News & Courier, Charleston, Sc. December 11, 1987.

"During an eye-opening half hour, Slim (Gene Hardage) showed that he is one great blues guitarist."

"If there were no Stevie Ray Vaughan, Slim would be it. He mixes fluid phrases, slippery chords and crying bent notes into his seamless solos. He takes the standard lexicon of blues lines and licks and punches it up with swaggering technique." Eric Snider, St. Petersburg Times, St. Petersbourg, Fl, October 7, 1989.

"... a Florida outfit that mixes Chicago-style shuffles with Delta - and Allman Brothers -style slide guitars...

Sarasota Slim, who with his long, wispy blonde hair looks like Duane Allman even more than he sometimes sounds like him... Slim's sound is a fine bracing gumbo of Otis Rush, Stevie Ray, Johnny Winter (especially in the vocals) and early Allman Brothers. If that sounds like too many cooks stirring the broth, it doesn't translate that way on stage. Slim's tone is nice and fat like Rush's, and his slide work has much of the bite and control Allman was known for." Dave Ferman, Fort Worth-Star Telegram, Fort Worth, TX, March 16, 1990.


Tracklist:

01 - Bourbon To Beale 04:16

02 - Tin Pan Alley 05:05

03 - Things Ain't Going Right 05:32

04 - Light My Fuse 03:14

05 - Siesta Salsa 05:25

06 - Mistakes In The Game Of Love 03:15

07 - Cryin' For My Baby 02:36

08 - Go Underground 03:29

09 - I've Got Friends 04:13

10 - Last Night 03:38

11 - Diving Duck 02:59

12 - Party All Night 03:18





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