After more than 5 years it is time to say good bye and this blog shuts its doors.

Thank you very much for all your support through out this time.

Wednesday, September 3, 2014

Mal Eastick 1995 The Southern Line



Genre: Blues-Rock
Rate: 320 kbps CBR / 48000
Time: 00:45:39
Size: 104,52 MB

Australia

Guitarist & song writer Mal Eastick hails from Australia. To my knowledge, he has not toured the US, nor is his music available outside of Australia. Too bad, because I'm sure his music would be well received here, or anywhere there is interest in blues-rock, blues, and rock ballad type music. Mal is a very talented guitarist, and singer John 'Choc' Eriwata does a fine job on vocals. The entire band is tight and well balanced.

The Southern Line is composed of about half blues-rock, half ballads & light rock tunes, and one slow blues intrumental. Mal wrote or co-wrote ten of the eleven songs. The ballads are well done and enjoyable, but there are a few too many. My favorite songs from the CD are the blues-rock and slow blues tunes.

Don't Take Advantage Of Me is upbeat blues, and the only cover song on the CD. You've probably heard this song covered by a few others. On Jumpin' With Stevie Mal tips his guitar to SRV. This is a blues-rock instrumental with Stevie overtones, including some nice work with wah-wah effects. Two Loves is a soulful blues intrumental, with some very nice guitar and piano solos. Hearing this song on the internet motivated me to go through the effort of locating and ordering this CD from an Australian online music store. In the quick paced instrumental, The Double 'EE' Boogie, Mal trades licks with fellow Aussie guitarist Tommy Emmanuel. Of the ballads, I like Boundry Rider the best, it's played and sung with a fair amount of emotion.

In my view, if there were a couple less ballads, and a couple more blues tunes, The Southern Line would be an outstanding CD. As it is, it is still very good, and I recommend it to anyone who likes a blend of ballads and blues. (http://www.electricblues.com)


Tracklist:

01 - Goin' Home Tonight 03:43

02 - Don't Take Advantage Of Me 03:55

03 - Ocean Deep 04:47

04 - Jumpin' With Stevie 03:43

05 - My Life Story 04:52

06 - Boundary Rider 06:31

07 - Two Loves 04:33

08 - Louise 03:17

09 - The Double 'EE' Boogie 02:22

10 - Gone, Gone, Gone 05:12

11 - Times Like These (I Feel Like Goin' Home) 02:44





Mal Eastick here:

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Damon Fowler Group 1999 Riverview Drive



Genre: Blues
Rate: 320 kbps CBR / 44100
Time: 00:38:42
Size: 88,50 MB

United States

Damon Fowler is a young local guitar player from West Central Florida. His band performs at many major blues venues and festivals within the state of Florida and is fairly well-known in that region, but seldom travels out of state. He's opened for many major performers including Jeff Beck, Buddy Guy, Johnny Winter, Robin Trower, Greg Allman, Edgar Winter, Jimmy Vaughn, Junior Brown, Rick Derringer, Bernard Allison, Chris Duarte and Indigenous, and is often invited on stage to jam with the headliners.

In fact, Rick Derringer was impressed enough to agree to produce this CD, Damon's first release. Rick's input obviously contributed to the CD's balanced and consistency. The band typically performs as a guitar, bass & drums trio, but enlisted some outside vocal and B-3 Hammond help for this session to fill out the sound a little. Damon plays an agreesive but not overbearing style of blues-rock guitar, and his tone is middleground between clean and dirty. His vocal sound and style are coincidentally very much like Rick Derringer's. So much so, that when I first heard the CD before reading the credits, I thought Rick had done some of the lead vocals, especially on the slow blues song "You Ain't My Momma". But based on the credits, Derringer performs on the CD only in a backing role.

Riverview Drive is an all-around solid effort, especially considering it's comprised entirely of original material and was produced without the aid of a recording label. It has plenty of strong guitar jams, respectable vocals, and a decent song list. Depending on the mood of the music, Damon at times plays aggressively, other times with finess. The band is togehter and well balanced. The mood of the CD is predominantly medium to upbeat paced blues-rock with one lone blues-ballad type song.

The only way to get a copy of this CD is to pick one up at a show or order it through Damon's website. The price is $12, which includes shipping and handling, not a bad deal and worth checking out. (http://www.electricblues.com)



Tracklist:

01 - Pocket Full of Blues 03:35

02 - Jig is Up 03:34

03 - Bye Bye Baby 03:45

04 - I Don't Mind 04:11

05 - Riverview Drive 03:29

06 - I've Got Eyes 05:57

07 - Ain't Gonna Worry About You 04:06

08 - You Ain't My Momma 05:31

09 - Money Shot 04:34





Damon Fowler Group here:

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Tuesday, September 2, 2014

Red Rogers 2001 Hot In The Box


Genre: Blues-Rock
Rate: 320 kbps CBR / 44100
Time: 00:33:06
Size: 75,69 MB

United States

Southern fried, Texas flavored, Blues Rock & Roll (cdbaby)



Tracklist:

01 - Honey, Please Come Back 03:41

02 - Next Time Around 04:41

03 - Cloudy Day Blues 05:35

04 - Ode To Daisey Moses 02:05

05 - Big D Blues 02:53

06 - No Big Surprise 03:29

07 - Hot In The Box 03:02

08 - Ain't Waistin' Time 04:26

09 - On An Open Sea 03:14





Red Rogers here:

cdbaby

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Big Shanty 2009 Sold Out ...


Genre: Blues
Rate: 195 kbps VBR / 44100
Time: 00:45:50
Size: 65,52 MB

United States

Big Shanty comes on like a rip snortin’, fire breathin’ son of a swamp dog with whiskey breath harsh enough to blister the chrome on a Harley and a black-and-blue attitude hard enough to make strong men weak and weak men quiver. He’s got a guitar sound that’s fuzzier than a bucket full of month-old bacon. He’s a night walker, a trash talker, and a groove master with a grinding guitar sound that’s both dangerous and thrilling. Born in the backwoods and raised on brimstone and moonshine, weaned on tractor exhaust and hard work, and seduced by the primal power of the blues at an early age, Shanty never wanted to be a star, but he did want to make some kind of gut-bucket, bone-rattling, tooth-busting, hell-raising noise. He grabbed a guitar, turned his amp up way past 11, and started wailing out tunes about desperate men, fearsome women, and a world gone mad. He spoke the truth, not giving a damn if anybody was listening, and found that he connected with something ferocious in the souls of his audience. He got discovered and soon found himself tearing up the floorboards of juke joints and blowing the roof off of blues clubs. He put out a couple of CDs and one of them, 2007’s Ride With the Wind, which lifted a big middle finger to the powers that be, went viral thanks to the internet. Real Blues Magazine named it the #1 Blues Album of 2007, and internet blues stations around the world drank from his bracingly bitter cup. His thick, greasy sound turned heads and got people all shook up. They began wondering just who this Big Shanty character was. He may be the alter ego of legendary blues lover and promo man Dick Wooley, or maybe not. But one thing is certain: He’s laying down some of the nastiest blues-rock you’ve heard in a long time.

Things kick off with “Big Shanty, From Lower Alabama to Hollywood”, the story of our hero’s journey from obscurity to the bright lights of LA. It’s a mellow driving track with a tongue-in-cheek lyric, nice boogie woogie piano from Rick Phillips, and some slashing guitar from up-and-coming guitar goddess Liz Melendez. Shanty sings his own praises with a gruff grace and tongue firmly in cheek. “Love Train” is steaming and frenetic, a simple groove that lets Shanty show off his slide guitar work, while “Kiss the Eight Ball” is a funky rocker full of snarky sexuality with sassy backing vocals by Melendez that adds plenty to the decadent ambience.

“They Say It’s Raining” tells the usual sad story of a man left alone to wander the neon blasted sidewalks trying to mend a broken heart. The sound is thick and distorted, a voice crying out from the darkness of a bottomless pit. Shanty’s vocal is full of frustration and anger, and the guitars fall like a collapsing building. Phillips adds some midnight B3 to “Walking Shoes”, another “broke down she done me wrong” song with Chris Blackwell, his stinging leads darkening the mood even more.

“Rolling Thunder” has a late night vibe, a slow blues perfect for driving down a deserted, late night highway. “Can’t Hold Out” picks up the tempo for another desperate groove; Shanty’s slide and Spencer Kirkpatrick’s shrieking leads release some of the tension, but Scott T. Robertson’s drums keep up the pressure. “Tybee Town” lets a bit of light into the picture. Shanty sings like a young man in love and plays some delicious acoustic slide to complement the bluesy sitar lines of jam band godfather Col. Bruce Hampton. Things close out with a protest song, “Uncle Sam Go to Rehab.” Robertson’s drums and the twin guitars of Shanty and Melendez give the track a raw, barebones feel. Melendez smokes while Shanty snarls out his tale of woe. There’s nothing fancy on Sold Out…, just down and dirty blues delivered with plenty of attitude and a devil-may-care energy that’ll warm up even the coldest winter night. (CRAWDADDY MAGAZINE by j. poet)



Tracklist:

01 - Big Shanty, From Lower Alabama To Hollywood 04:40

02 - Love Train 04:17

03 - Kiss The Eight Ball (feat. Kevin Scott) 04:08

04 - They Say It's Raining (feat. Rick Phillips) 04:33

05 - Walking Shoes (feat. Liz Melendez) 05:10

06 - Stop Pushing Me (feat. Dustin Sargent) 04:42

07 - Rolling Thunder (feat. Chris Blackwell) 04:21

08 - Can't Hold Out (feat. Scott T. Robertson) 05:39

09 - Lybee Town (feat. Spencer Kirkpatrick) 03:32

10 - Uncle Sam Go To Rehab (feat. Col. Bruce Hampton) 04:48





Big Shanty here:

cdbaby

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Monday, September 1, 2014

James Crouch 2006 Lost Souls


Genre: Blues-Rock
Rate: 320 kbps CBR / 44100
Time: 00:18:22
Size: 41,99 MB

United States

Mr. Crouch, Very incredible! James Crouch’s ‘Los Suenos’ is the quintessential blues riff that doesn't quit and, for that matter, it doesn’t back off for minutes plus. His ‘Tribute to Jeff Beck’ has the same stunning attack while clearly playing homage to Beck by capturing the intricacies of Beck’s styling's without compromising his own. (ZipKAT)



Tracklist:

01 - Beck In Blue 03:53

02 - My Monkey 04:15

03 - Change The Beatle 05:32

04 - Los Suenos 04:42





James Crouch here:

iTunes

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Eddie Martin Band 2000 Live In The USA - Play The Blues Damn It!



Genre: Blues
Rate: 224 kbps CBR / 44100
Time: 00:52:12
Size: 83,58 MB

United Kingdom

This is the blues the way it was meant to be, right from the heart and soul. Eddie Martin is a one-of-a-kind original. Eddie Martin is a blues master!



Tracklist:

01 - Answerphone Blues 07:47

02 - Hideaway 12:16

03 - See Red Blues 07:15

04 - Blue To The Bone 07:01

05 - Red Lights 03:37

06 - G-String Fling 04:01

07 - Cleanhead Blues 05:28

08 - Birds And The Bees 04:47





Eddie Martin Band here:

Artists-Shop

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