After more than 5 years it is time to say good bye and this blog shuts its doors.

Thank you very much for all your support through out this time.

Showing posts with label Folk - Folk Rock. Show all posts
Showing posts with label Folk - Folk Rock. Show all posts

Thursday, March 19, 2015

Stephen Stills 2009 Live At Shepherd's Bush


Genre: Folk-Rock
Rate: 320 kbps CBR / 44100
Time: 01:20:03
Size: 183,16 MB

United States

In October 2008, veteran rocker Stephen Stills played a career-spanning concert at Shepherds Bush that was captured for this 2009 CD/DVD set. Playing both solo-acoustic and full band sets, Stills touched on nearly every facet of his prolific career: Buffalo Springfield ('Bluebird', 'For What It's Worth', 'Rock & Roll Woman'); CSN ('Suite: Judy Blue Eyes', 'Helplessly Hoping', 'Southern Cross'); CSNY ('Woodstock', 'Carry On'); early solo ('Love The One You're With', 'Marianne'); Manassas ('And So Begins The Task', 'Isn't It About Time'); Stills/Young ('Long May You Run'); and later solo ('Treetop Flyer', 'Wounded World'). Other highlights include covers of Bob Dylan's 'Girl From The North Country' and Tom Petty's 'Wrong Thing To Do'. (amazon.com)



Tracklist:

01 - Treetop Flyer 06:36

02 - 4 + 20 03:44

03 - Johnny's Garden 03:15

04 - Change Partners 02:37

05 - Girl From The North Country 04:07

06 - Blind Fiddler 05:23

07 - Suite - Judy Blue Eyes 09:24

08 - Isn't It About Time 05:12

09 - Rock & Roll Woman 06:47

10 - Wrong Thing To Do 06:17

11 - Wounded World - Rocky Mountain Way 07:31

12 - Bluebird 06:29

13 - For What It's Worth 07:19

14 - Love The One You're With 05:22





Stephen Stills here:

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Saturday, March 14, 2015

Jackie Greene 2002 Gone Wanderin'



Genre: Folk-Rock
Rate: 320 kbps CBR / 44100
Time: 00:45:25
Size: 103,81 MB

United States

With an unforced comfort unusual among new, young artists on small indie labels, 21-year-old Jackie Greene offered an impressive batch of above-average Americana roots rock on this 2002 release. There's a world-weariness to his songs that might not seem fully earned given his age. But he sounds like he's feeling the emotions authentically enough, with a voice that blends country, rock, folk, and a bit of blues with as much ease as his music does. There's some early Dylan in that mix, and like Dylan, he plays both guitar and harmonica. But he seems like he's having more fun and passion than most budding artists following that path, even if the lyrics talk of hard traveling, dead ends, and hard-luck stories peopled by characters redeemed by their fortitude.

In that sense, he can sometimes sound a little like a sweeter-voiced Bruce Springsteen, though one plugged closer to folk sources than Springsteen is. A cut like "Down in the Valley Woe" gets close to the kind of old-time-rooted folk music you might have heard by some of the better early-'60s folk revivalists and singer/songwriters. Yet when he fills out his music with a bigger ensemble, songs like "Cry Yourself Dry" sound much like vintage material by the Band. Like a lot of artists who have generated ballpark comparisons to the aforementioned musicians, Greene had some work to do to establish himself as an original talent on par with those legends. But this was a good start, more assured and enjoyable than plenty of early 21st century Americana-indie rock artists with bigger reputations. (Richie Unterberger)


Tracklist:

01 - Gone Wanderin' 02:56

02 - Tell Me Mama, Tell Me Right 02:37

03 - Travelin' Song 03:58

04 - Mexican Girl 04:03

05 - Down In The Valley Woe 04:23

06 - Cry Yourself Dry 04:28

07 - By The Side Of The Road, Dressed To Kill 04:19

08 - Freeport Boulevard 03:17

09 - Judgement Day 02:53

10 - Gracie 04:34

11 - Maria, Maria (It's A Sin To Tell A Lie) 02:49

12 - The Ballad Of Sleepy John 05:08





Jackie Greene here:

DL



Friday, September 7, 2012

Flatbush 1975 Snug As A Bug In A Rug


Genre: Country-Folk-Rock
Rate: 320 kbps CBR / 44100
Time: 00:07:32
Size: 17,25 MB

United States

Cleveland, Ohio's Flatbush were together from 1974 to 1981, playing their own brand of Southern Rock and Country to audiences across five States.

They released two 45s and one album, 1979's "Drivers Dream".

Artists:

Phil Barker
JoJo Dickey
Larry Rice
Linn Roath
Russell Gall



Tracklist:

01 - Snug As A Bug In A Rug 04:41

02 - Loaded 02:51





Flatbush here:

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Thursday, June 7, 2012

Dan Hicks & The Hot Licks 2009 Tangled Tales



Genre: Country-Folk
Rate: 128 kbps CBR / 44100
Time: 00:49:52
Size: 45,57 MB

United States

Dan Hicks career extends back to the San Francisco folk movement in 1959. The years 1965-1968 found him as a member of the influential psychedelic rock group, The Charlatans. Leaving that group in 1968 he formed his first incarnation of The Hot Licks. They released a number of well received albums culminating in the brilliant Last Train To Hicksville in 1973. Hicks even managed to land himself on the cover of Rolling Stone Magazine not once but twice. At the height of the bands popularity, he disbanded it.

He continued to perform as a solo artist and with his new group The Acoustic Warriors. In 2000 he reformed the Hot Licks and this is their fifth album release. He has surrounded himself with a stellar cast of musicians. Mandolin player David Grisman, harmonica virtuoso Charlie Musslewhite, slide guitarist Roy Rogers, bluegrass violin player Richard Green, and swing guitarist Bruce Forman are all on board.

His music has been labeled as outlaw country swing. I would call it psychotic country swing, and I say that with reverence. The instrumentals harp back to the era and style of Bob Wills but the staccato paced lyrics are irreverent, witty, dry, odd, and some of the best that are currently being written.

There are eight new original compositions plus four covers and all are presented in typical Dan Hicks fashion. His vocals are in fine shape and he continues to perform with two female vocalists as in his classic releases of the past. “Who Are You?” features an accordion sound and a shuffle beat. “The Diplomat,” provides interplay between the fiddles and acoustic guitar plus some of the humorous lyrics that he is famous for. “Blues My Naughty Baby” is my particular favourite as women, swimming, no bathing suits, and liquor all form the basis of the story. He even throws in some scat singing for good measure.

Dan Hicks and His Hot Licks have an original sound. It may be quirky at first listen but there is an underlying brilliance to it all. Any new material by him is always welcome and you can be sure not only of a good listening experience but some having fun along the way. Come join the faithful. (http://blogcritics.org/music/article/music-review-dan-hicks-the-hot/)



Tracklist:

01 - Who Are You 04:06



02 - The Diplomat 04:19

03 - Savin' My Lovin' 04:39

04 - Blues My Naughts Baby 04:39

05 - Song For My Father 05:00

06 - The Rounder 03:59

07 - 13-D 04:03

08 - Ragtime Cowboy Joe 03:53

09 - A Magician 04:00

10 - Subterranean Homesick Blues 04:17



11 - Tangled Tales 02:31

12 - Let It Simmer! 04:26





Dan Hicks & The Hot Licks here:

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Tuesday, May 29, 2012

Dan Hicks & The Hot Licks 2007 Duets


Genre: Country-Folk
Rate: 128 kbps CBR / 44100
Time: 00:38:33
Size: 35,26 MB

United States

Tracklist:

01 - I Don't Want Love With Brian Setzer 03:35

02 - I Scare Myself With Rickie Lee Jones 03:44

03 - Strike While It's Hot With Bette Midler 04:11

04 - Meet Me On The Corner With Elvis Costello 03:28

05 - I'll Tell You Why That Is With Tom Waits 05:18

06 - Driftin' With Rickie Lee Jones 04:51

07 - Barstool Boogie With Jimmy Buffet 03:04

08 - One More Cowboy With Willie Nelson 04:04

09 - That Ain't Right With Gibby Haynes 03:10

10 - That's Where I Am With Jack Sheldon 03:08





Dan Hicks & The Hot Licks here:

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Wednesday, May 23, 2012

Dan Hicks & The Hot Licks 1978 It Happened One Bite



Genre: Country-Folk
Rate: 128 kbps CBR / 44100
Time: 00:33:28
Size: 30,61 MB

United States

Review by Brian Beatty

A cherished rarity among even his most die-hard fans, It Happened One Bite finds Dan Hicks and company -- not exactly his Hot Licks, but close enough for hipster folk swing -- providing the soundtrack for a 1978 animated film set during the gangster '50s. Unfortunately, the cartoon in question, at least with Hicks' exceptional soundtrack for it, was shelved. A reworked version of the film eventually released in 1982 featured none of the tunes Hicks wrote and recorded. Too bad, too, because his 13 songs are all top-notch tomfoolery of the patented Hicks variety.



Tracklist:

01 - Cruizin' 03:07

02 - Crazy - 'Cause He Is 03:32



03 - Garden In The Rain 02:47

04 - Boogaloo Jones 02:41



05 - Cloud My Sunny Mood 03:21

06 - Dizzy Dogs 01:13

07 - Vinnie's Lookin' Good 02:30

08 - Lover's For Life 01:36

09 - Collared Blues 03:49

10 - Waitin' 02:40

11 - Reveille Revisited 02:03

12 - Mama, I'm An Outlaw 01:30

13 - Boogaloo Plays Guitar 02:39





Dan Hicks & The Hot Licks here:

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Friday, October 21, 2011

Mother Earth 1968 Living With The Animals





Genre: Folk-Rock
Rate: 160 kbps CBR / 44100
Time: 00:41:42
Size: 47,73 MB

United States


Review by J.P. Ollio & Thom Jurek

Though Mother Earth is often remembered as a vehicle for Tracy Nelson, Living With the Animals is a true group effort, combining memorable vocal performances with tight R&B-derived playing with excellent guitar work from Michael Bloomfield. Side one is a showcase for Nelson's blues belting and piano, particularly on "Down So Low" and "Mother Earth." Not to be overlooked is the blues shuffle "I Did My Part" and R.P. St. John's sardonic "Living With the Animals" and "Marvel Set," which features him on lead vocals. Side two doesn't hold up quite as well, though there are stellar moments here as well, including "Cry On" and "Goodnight Nelda Grebe," with fine horn section work and excellent Nelson vocals. Written and fronted by St. John, "The Kingdom of Heaven Is Within You" is a brilliant closer; it's nocturnal, moody, and spacy and showcases beautiful muted trumpets and reeds with a gorgeous flute solo by Link Davis Jr. The album was reissued on CD by Wounded Bird in 2004.



Tracklist:

01 - Marvel Group 03:13

02 - Mother Earth 06:14

03 - I Did My Part 02:47

04 - Living With The Animals 04:53

05 - Down So Low 03:48

06 - Cry On 04:33

07 - It Won't Be Long 03:35

08 - My Love Will Never Die 04:56

09 - The Telephone Co. Has Cut Us Off 02:39

10 - Kingdom Of Heaven 05:04





Mother Earth here:

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Sunday, October 16, 2011

Dan Hicks & His Hot Licks 1972 Striking It Rich



Genre: Folk-Rock
Rate: 256 kbps CBR / 44100
Time: 00:41:23
Size: 75,74 MB

United States


Dan Hicks And His Hot Licks were truly a sport of nature, one of those unique creations that come out of nowhere and defy categorization. Part folk, part Django Reinhardt homage, part Western swing, and part tongue in cheek; this outfit was as marvellously cracked as the palm tree scenery they brought with them everywhere. They were smart - but never condescending to their audience. Overall their music had the gentle, pleasant texture of lazy summer evenings when there is lots of time, little to do, and nothing to worry about.

Hicks is a terrific front man, but the secret of this group is found in the talent surrounding him. The Lickettes (easily the greatest name ever for a team of female back-up vocalists) have exquisite voices, and add smooth sweetness wherever they're found. Maryann Price and Naomi Ruth Eisenberg both sound marvellous when they solo, but the blend of their voices is heaven.

Sid Page on violin (and mandolin) provides the instrumental juice reminding you of Stephane Grappelly and all those Western swingers, check him out on Flight Of The Fly. The humour of Dan Hicks And His Hot Licks ranges from mild, I'm An Old Cowhand, to broad, O'Reilly At The Bar, to goofy, The Laughing Song, but it is never mean. With this outfit, fun is the name of the game.

Despite the hip sensibility that characterizes Dan Hicks, he is never better than when he is overtly sentimental. Songs like I Scare Myself, Canned Music, and the Western lullaby Presently In The Past, are so beautiful that it hurts. Dan Hicks And His Hot Licks always were hard to pigeonhole, perhaps that's why they've weathered the years so well. This one is just pure delight, can't recommend it highly enough. (El Lagarto @www.amazon.com)



Tracklist:

01 - You Got To Believe 02:58

02 - Walkin' One And Only 02:48

03 - O'reilly At The Bar 02:54

04 - Moody Richard (The Innocent Bystander) 04:02

05 - Flight Of The Fly 02:39

06 - I Scare Myself 05:46

07 - Philly Rag 00:38

08 - The Laughing Song 03:04

09 - Canned Music 03:35

10 - I'm An Old Cowhand (From The Rio Grande) 02:50

11 - Woe, The Luck 05:12

12 - Presently In The Past 03:15

13 - Skippy's Farewell 01:02

14 - Fujiyama 00:40





Dan Hicks & His Hot Licks here:

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Saturday, October 1, 2011

Dan Hicks & His Hot Licks 1971 Where's The Money



Genre: Folk-Rock
Rate: 160 kbps CBR / 44100
Time: 00:40:26
Size: 45,43 MB

United States


Review by Brian Beatty

Before they could release a second album of their patented good-time hippie acoustic swing, Hicks and his band parted company with Epic records. That their fresh start would be marked by the release of a live set may seem odd at first. But the album does in fact capture a certain intimacy missing from their studio debut. Songs that would remain staples of the Hot Licks repertoire for years to come are found in their most well-known versions here, including the title track, "I Feel Like Singing," "Shorty Falls in Love," and "By Hook or By Crook." The between-song banter even stands up to repeated listenings. It's not often that can be said about a live recording.



Tracklist:

01 - I Feel Like Singing 03:05

02 - Coast To Coast 02:45

03 - News From Up The Street 04:57

04 - Where's The Money 03:01

05 - Caught In The Rain 03:12

06 - Shorty Falls In Love 02:44

07 - By Hook Or By Crook 03:16

08 - Reelin' Down 03:35

09 - The Buzzard Was Their Friend 03:06

10 - Traffic Jam 03:29

11 - Is This My Happy Home 03:54

12 - Dig A Little Deeper 03:22





Dan Hicks & His Hot Licks here:

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Sunday, September 18, 2011

Dan Hicks & The Hot Licks 1973 Last Train To Hicksville...The Home Of Happy Feet




Genre: Folk-Rock
Rate: 192 kbps CBR / 44100
Time: 00:37:46
Size: 51,83 MB

United States


A voice keeps calling to me, so loud and so clear....I'll just pretend I'm not here" Classic Dan Hicks lyrics with toe tapping post-hippie mountain swing. The group was able to steer clear of pre-disco rumblings, mainstream "western" twangy, and lost rock taint. It's a musical picture of Hogie Carmicheal with a roachclip. (http://www.amazon.com)



Tracklist:

01 - Cowboy's Dream No. 19 02:50

02 - Lonely Madman 03:00

03 - My Old Timey Baby 02:29

04 - Vivando 04:19

05 - Success 04:11

06 - Cheaters Don't Win 03:16

07 - Payday Blues 02:53

08 - I Asked My Doctor 00:52

09 - Sure Beats Me 02:30

10 - The Euphonius Whale 03:08

11 - Sweetheart 02:36

12 - 'Long Come A Viper 02:11

13 - It's Not My Time To Go 03:31





Dan Hicks & The Hot Licks here:

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Wednesday, July 20, 2011

Neocekavany Dychanek 1998 Demo '98 (Live Jazzclub Zelezna, 1998-10-06)



Genre: Folk-Rock
Rate: 160 kbps CBR / 44100
Time: 00:37:51
Size: 43,33 MB

Czech Republic


Biography:

Neocekavany Dychanek was founded by several schoolmates and friends in Prague, Czech Republic, in the spring of 1992. Back then, the band's lineup was dominated by acoustic instruments. This was not intentional as the original idea was to play rock. Gradually, their new songs started to reflect more and more Eastern European folk music influences. The band still holds on to this path, and they still play original compositions, which show clear folk music inspirations as well as the rock and jazz backgrounds of the individual musicians.

Probably the best description of Neocekavany Dychanek's current style is "street mix" which merges Jewish Klezmer music, gypsy music from the Balkans and domestic folk music with pub-rock, country and punk influences. This is also reflected by the band's live performances. Although the band has made several successful appearances at the country's major alternative music festivals (Boskovice, Litomencky koren, Alternativa etc.), their music is best heard in smaller venues where a unique vibe is achieved thanks to closer contact with the audience.

Neocekavany Dychanek spent a weekend in a cellar in the town of Litomerice, recording 17 tracks that ended up being the band's eponymous debut album. The band released the record on June 1 independently. The lead vocalist is now expecting a baby to be born in the near future. (http://worldmusiccentral.org)



Tracklist:

01 - Lahev Od Koralky 02:24

02 - Sproty 01:33

03 - Blondyna 02:31

04 - Mraky 02:47

05 - Ja Rano Vzbudila Se Smichem 01:22

06 - Bohemska 03:12

07 - Bodla Dyka Do Cernyho 02:18

08 - Sedela V Lokale 02:14

09 - Snad Se Jednou Ukaze 01:45

10 - Volant 02:54

11 - Pisen Mlynarova 02:05

12 - Mela Jsem Ja Milyho 01:53

13 - Venku Svita 02:59

14 - Kartarka 02:08

15 - Nemysli Si 01:41

16 - Fatalni 01:47

17 - Tancuj 02:18





Neocekavany Dychanek here:

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Wednesday, March 9, 2011

Crosby, Stills, Nash & Young 1970 Déjà Vu



Genre: Folk-Rock
Rate: 256 kbps CBR / 44100
Time: 00:36:24
Size: 66,89 MB

United States

Review by Bruce Eder

One of the most hotly awaited second albums in history -- right up there with those by the Beatles and the Band -- Déjà Vu lived up to its expectations and rose to number one on the charts. Those achievements are all the more astonishing given the fact that the group barely held together through the estimated 800 hours it took to record Déjà Vu and scarcely functioned as a group for most of that time. Déjà Vu worked as an album, a product of four potent musical talents who were all ascending to the top of their game coupled with some very skilled production, engineering, and editing. There were also some obvious virtues in evidence -- the addition of Neil Young to the Crosby, Stills & Nash lineup added to the level of virtuosity, with Young and Stephen Stills rising to new levels of complexity and volume on their guitars. Young's presence also ratcheted up the range of available voices one notch and added a uniquely idiosyncratic songwriter to the fold, though most of Young's contributions in this area were confined to the second side of the LP.

Most of the music, apart from the quartet's version of Joni Mitchell's "Woodstock," was done as individual sessions by each of the members when they turned up (which was seldom together), contributing whatever was needed that could be agreed upon. "Carry On" worked as the album's opener when Stills "sacrificed" another copyright, "Questions," which comprised the second half of the track and made it more substantial. "Woodstock" and "Carry On" represented the group as a whole, while the rest of the record was a showcase for the individual members. David Crosby's "Almost Cut My Hair" was a piece of high-energy hippie-era paranoia not too far removed in subject from the Byrds' "Drug Store Truck Drivin' Man," only angrier in mood and texture (especially amid the pumping organ and slashing guitars); the title track, also by Crosby, took 100 hours to work out and was a better-received successor to such experimental works as "Mind Gardens," out of his earlier career with the Byrds, showing his occasional abandonment of a rock beat, or any fixed rhythm at all, in favour of washing over the listener with tones and moods. "Teach Your Children," the major hit off the album, was a reflection of the hippie-era idealism that still filled Graham Nash's life, while "Our House" was his stylistic paean to the late-era Beatles and "4+20" was a gorgeous Stephen Stills blues excursion that was a precursor to the material he would explore on the solo album that followed.

And then there were Neil Young's pieces, the exquisitely harmonized "Helpless" (which took many hours to get to the slow version finally used) and the roaring country-ish rockers that ended side two, which underwent a lot of tinkering by Young -- even his seeming throwaway finale, "Everybody I Love You," was a bone thrown to longtime fans as perhaps the greatest Buffalo Springfield song that they didn't record.

All of this variety made Déjà Vu a rich musical banquet for the most serious and personal listeners, while mass audiences revealed in the glorious harmonies and the thundering electric guitars, which were presented in even more dramatic and expansive fashion on the tour that followed.



Tracklist:

01 - Carry On 04:28

02 - Teach Your Children 02:55

03 - Almost Cut My Hair 04:30

04 - Helpless 03:40

05 - Woodstock 03:55

06 - Deja Vu 04:13

07 - Our House 03:01

08 - 4 + 20 02:08

09 - Country Girl: Whiskey Boot Hill - Down, Down, Down - "Country Girl" (I ...) 05:13

10 - Everybody I Love You 02:21





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Tuesday, February 22, 2011

Arlo Guthrie 1967 Alice's Restaurant





Genre: Folk
Rate: 160 kbps CBR / 44100
Time: 00:34:41
Size: 39,66 MB

United States


"Alice's Restaurant Massacree" (commonly referred to simply as "Alice's Restaurant") is one of singer-songwriter Arlo Guthrie's most prominent works, a musical monologue based on a true story that began on Thanksgiving Day 1965, and which inspired a 1969 movie of the same name. In an interview for All Things Considered, Guthrie said the song points out that any American citizen who was convicted of a crime, no matter how minor (in his case, it was littering), could avoid being conscripted to fight in the Vietnam War.

The song lasts 18 minutes and 34 seconds, occupying the entire A-side of Guthrie's 1967 debut record album, also titled Alice's Restaurant. It is notable as a satirical, first-person account of 1960s counterculture, in addition to being a hit song in its own right. The final part of the song is an encouragement for the listeners to sing along, to resist the U.S. draft, and to end war.

Though the song's official title, as printed on the album, is "Alice's Restaurant Massacree" (pronounced mass-a-cree, not massacre), Guthrie states in the opening line of the song that "This song's called 'Alice's Restaurant'" and that "'Alice's Restaurant'... is just the name of the song;" as such, the shortened title is the one most commonly used for the song today.

Apart from the chorus which begins and ends it, the "song" is in fact a spoken monologue, with a repetitive but catchy ragtime guitar backing. It recounts a true but comically exaggerated Thanksgiving Day adventure as a satirical, deadpan protest against the Vietnam War draft.

The Alice in the song was restaurant-owner Alice M. Brock, who in 1964 used $2,000 supplied by her mother to purchase a deconsecrated church in Great Barrington, Massachusetts, where Alice and her husband Ray would live. It was here rather than at the restaurant — which came later — where the song's Thanksgiving dinners were actually held.

On that Thanksgiving, November 25, 1965, the 18-year-old Guthrie and his friend Richard Robbins, 19, were arrested by Stockbridge police officer William "Obie" Obanhein for illegally dumping some of Alice's garbage after discovering that the town dump was closed for the holiday. Two days later, they pled guilty in court before a blind judge, James E. Hannon. The song describes to ironic effect the arresting officer's frustration at this "typical case of American blind justice," in which the officer was prepared to present "27 8×10 color glossy pictures with circles and arrows and a paragraph on the back of each one explaining what each one was to be used as evidence against us," only to have the judge enter the courtroom accompanied by a seeing-eye dog. In the end, Guthrie and Robbins were fined $50 and told to pick up their garbage.

The song goes on to describe Guthrie's being called up for the draft, and the surreal bureaucracy at the New York City induction center at 39 Whitehall Street. Because of Guthrie's criminal record for littering, he is first sent to the Group W Bench, where those draftees wait who cannot be inducted except under a "moral waiver", then outright rejected as unfit for military service. The ironic punch line of the story's denouement is that, in the words of Guthrie, "I'm sittin' here on the Group W bench 'cause you want to know if I'm moral enough to join the army, burn women, kids, houses and villages after bein' a litterbug."

The final part of the song is where Arlo tells the audience that should they find themselves facing the draft they should walk into the military psychiatrist's office and sing, "Shrink, you can get anything you want, at Alice's restaurant," and walk out. Thus is born, "the Alice's Restaurant Anti-Massacree Movement, and all you got to do to join is to sing it the next time it comes around on the guitar". (http://en.wikipedia.org/wiki/Alice%27s_Restaurant)



Tracklist:

01 - Alice's Restaurant Massacree 18:31

02 - Chilling Of The Evening 03:00

03 - Ring-Around-A-Rosy Rag 02:11

04 - Now & Then 02:18

05 - I'm Going Home 03:14

06 - The Motorcycle Song 02:46

07 - Highway In The Wind 02:41





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