After more than 5 years it is time to say good bye and this blog shuts its doors.

Thank you very much for all your support through out this time.

Wednesday, March 23, 2011

Sunset Heights 1994 Texas Tea



Genre: Blues
Rate: 192 kbps CBR / 44100
Time: 01:10:59
Size: 97,35 MB

United States


In the biography Stevie Ray Vaughan, authors Joe Nick Patoski and Bill Crawford relate the story of a young Stevie Ray being heckled by older brother Jimmie. The elder Vaughan was drunk one night, listening to Stevie rehearse and yelling, "You can't play shit." When the generic insult failed to get a rise out of Stevie, Jimmie resorted to real insults. "You sound like fuckin' Robin Trower!" was apparently too grave a dis to ignore, and Stevie jumped off the bandstand and knocked his brother flat with a punch to the face. Trower held no place of honor in the Vaughan brothers' blues iconography.

Maybe that's why Houston blues-rock trio Sunset Heights, perpetually dogged by critics unimpressed with 20-year-old frontman Vince Converse's unapologetic SRV mimicry, chose to lead off its debut album, Texas Tea, with Trower's "Man of the World" -- as a statement of anti-party-line independence from Vaughan's long shadow.

Or maybe not. A loud round of SRV comparisons might be the most common fate, but it's hardly the worst that could befall a young blues-rock power trio fronted by a cowboy/gypsy-clad Stratocaster prodigy, and Converse seems more flattered than annoyed by the parallel. Though he tags Jimi Hendrix as the prime motivator behind his flashy fretboard gymnastics, and though he claims he wasn't introduced to Vaughan's histrionic style -- itself derivative of Hendrix -- until as late as 1986's Live Alive! album, Converse takes the rip-off accusation in stride, almost as a point of pride. "Somebody," he says, "has got to carry the torch."

Sunset Heights -- comprising Converse, bassist Jason "Big Daddy" Youngblood and drummer "Li'l Joe" Frenchwood -- is attempting just that with the release of Texas Tea, first in Germany, then in the States, and the initial returns look promising enough. Texas Tea was quickly named album of the month in the German press, and ZZ Top has been contributing welcome exposure by playing tracks off the album as pre-concert music for its stadium shows on the present Antenna tour. Converse has also been tapped as the only American player to contribute to the forthcoming A Blues Tribute to Peter Green -- honoring the founding member of the original Fleetwood Mac -- on the Viceroy label, which also handles Sunset Heights. As I write, Sunset Heights is on a three-week promotional tour through Europe, where SRV-style guitar slingers are looked upon with more anticipation than skepticism.

The six-string bluster of Texas Tea -- with its squealing sustained notes, gritty bass-string dives and vocally affected blues swagger -- isn't likely to dispel the skeptics who say the band has yet to develop a distinctive style of its own, but it does showcase a driving energy that makes a strong case for the group's continued growth.

Converse, who entered the world of live music through high school saxophone and various skatepunk bands, met Youngblood at Houston's Kempner High School, where the two began jamming together. Converse contributed a blues fluency he credits to his guitar-playing stepfather, and Youngblood brought in his uncle as manager. With the addition of a drummer, the trio played its first gig in a Heights icehouse.

By 1992, with present drummer Frenchwood in place, Sunset Heights was steadily making the rounds of Texas blues-rock venues, playing energetic sets liberally sprinkled with SRV and Hendrix covers. A year later, the band had collected enough of a following to find themselves voted Best Up-and-Comers in this paper's annual reader's poll, and had developed a tight mutual empathy for the fat, authoritative blues tone of its forebears.

For the Texas Tea debut, Viceroy brought in former Cream lyricist Peter Brown, who worked a spitshine on Sunset's lyrics and contributed an additional verse to the band's cover of Cream's Brown-penned "Politician." The result is a solid sonic bedrock on which to build, and Converse -- a genuinely unaffected kid with a string-bending talent that's yet to be matched by the band's other, still developing attributes -- thinks it could take the band over the hump. "It's been since ZZ Top, really, that Houston's had someone break out. We want to put Houston back on the map." (Brad Tyer)



Tracklist:

01 - Man Of The World 04:34

02 - Movin' On 04:49

03 - Dangerous Moves 04:25

04 - Runnin' Blind 05:41

05 - Missing You 04:59

06 - Only Time Will Tell 02:59

07 - Sally Jo 04:10

08 - Save Yourself 03:51

09 - Different Colored Dancer 04:19

10 - Politician 04:59

11 - Dreaming Girl Pt. 1 09:34

12 - She Left Me 06:31

13 - Whiskey Woman 10:08





Sunset Heights here:

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Risky Blues 1992 Live





Genre: Blues
Rate: 233 kbps VBR / 44100
Time: 00:57:52
Size: 96,24 MB

Belgium


This is another band I cann't find any information. Please post all you know in the comment-section!



Tracklist:

01 - Rocket 69 02:16

02 - I Want A Bowlegged Woman 02:26

03 - Dog Duty Blues 03:24

04 - Playing Numbers 03:35

05 - Keep On Churning 02:41

06 - Lovin' Machine 02:08

07 - Amber Lee 03:08

08 - What's The Use Of Getting Sober 03:23

09 - The Walkin' Blues 04:38

10 - Nite Life Boogie 04:17

11 - That's How I Feel About You 03:24

12 - Silent George 02:08

13 - Diddy Wah Diddy 03:01

14 - One Is Never Too Old To Swing 02:06

15 - Wasn't That Good 02:28

16 - Caledonia 12:49





Risky Blues here:

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Tuesday, March 22, 2011

Randy Pavlock & Twenty Four Seven 2008 Miles To Go



Genre: Blues
Rate: 320 kbps CBR / 44100
Time: 00:35:37
Size: 81,48 MB

United States


Guitarist and singer Randy Pavlock hails from the official blues capital of Texas, Navasota. Whatever you think of the Texas Legislature’s having bestowed that honor without consulting any of us, Pavlock has a solid grounding in the blues, having misspent his youth hanging around places such as Neal’s Hideaway, perhaps the last real juke joint in this part of the country. He’s done his homework on record, too, soaking up the music of everybody from Navasota icon Mance Lipscomb to Lightnin’ Hopkins, Stevie Ray Vaughan and Jimi Hendrix.

Pavlock has also spent a lot of time in Austin, where he found friends and mentors in two unfortunately now-departed drummers and singers, Uncle John Turner and Buddy Miles. Turner, famous for having played with Johnny Winter, played some gigs with Pavlock and showed him around the Austin scene. Miles, whose Band of Gypsys album with Hendrix had a big impact on Pavlock, joined his protégé on a cover of “Hey Joe” on Pavlock’s new CD, Miles to Go.

The Hendrix influence comes through loud and clear, too, on the doomy “Prison Land”. But Pavlock makes it work; this ain’t Blue Cheer. Pavlock does a good job, too, on the T-Bone Walker classic “Cold, Cold Feeling,” the Freddie King instrumental “Side Tracked” and the funky Stax staple “Breaking up Somebody’s Home”. He makes each song his own while staying true to the original. Pavlock’s own songs on the CD run the gamut from shuffles such as “I’m Crazy” to the wistful ballad “All the Things,” about the sad fact of deeds undone and words unsaid. The instrumental title track is downright pretty. “Where I’m Going” rocks along gently with some neat turns of phrase and some nice, understatedly stinging guitar.

Randy Pavlock has found his own voice and continues to grow, as both a performer and a songwriter. (Jay Brakefield)



Tracklist:

01 - I'm Crazy 04:05

02 - Prison Land 04:42

03 - Cold Cold Feeling 04:07

04 - Miles To Go 02:36

05 - Side Tracked 02:08

06 - All The Things (I Should Have Said) 04:37

07 - I Feel Like Breaking Up Somebodys Home 03:40

08 - Where I'm Going 03:21

09 - Hey Joe 06:21





Randy Pavlock & Twenty Four Seven here:

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Rick Hall & The Blues Healers 2004 Rick Hall & The Blues Healers



Genre: Blues
Rate: 320 kbps CBR / 44100
Time: 00:47:10
Size: 107,95 MB

United States


Album Notes

Here's the deal. I was born a poor white child (just like everybody else) in the Appalachian Mountains of Southeastern KY. My folks moved to Ohio when I was two years old. Somewhere around the age of eight years old I became severely addicted to music. My father liked bluegrass and country, my mother liked rock and the pop music of the day. The one musical style we all agreed upon was the blues. What I'm doing now, both in the studio and live, is playing what comes naturally to me, that being a fusion of all the styles mentioned above. My music fits in whatever category, you decide.



Tracklist:

01 - Don't Be Cruel 03:36

02 - Free Delivery 03:11

03 - Ain't Nothin But A Heartache 03:46

04 - Blues Are Gonna Leave Me Too 03:29

05 - The Trouble With Love 03:23

06 - Much Too Much 04:10

07 - Dig 03:10

08 - All I Want Is You 03:23

09 - Train 04:08

10 - Got My Eye On You 04:36

11 - I Got A Woman 02:43

12 - Keep On Walkin 04:10

13 - Goin Down Fast 03:25





Rick Hall & The Blues Healers here:

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Monday, March 21, 2011

Red Rooster 1995 Bluesin' Up



Genre: Blues
Rate: 262 kbps VBR / 44100
Time: 00:58:12
Size: 107,33 MB

Belgium


It's hard to find any information about this band. If anybody has the original covers or more information about this band, please post in comment-section.



Tracklist:

01 - Bluesin' Up 04:28

02 - Little Darling 03:53

03 - Baby's Shuffle 03:26

04 - Talkin' To My Baby 03:44

05 - Running Around 04:41

06 - Strange Kind Of Feeling 04:20

07 - Black Suit 03:05

08 - Carey's Shuffle 03:38

09 - Superstition 05:14

10 - Crazy 'bout You 06:06

11 - Married To The Blues 03:51

12 - I Want You To Know 04:12

13 - Your Love Sets Me Free 03:50

14 - Red Two 03:44



Highly recommend!


Red Rooster here:

A big thanks to bluesbeast for sharing this CD!

Link from the original uploader

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The Brew (UK) 2008 The Joker



Genre: Blues-Rock
Rate: 320 kbps CBR / 44100
Time: 00:38:15
Size: 87,57 MB

United Kingdom


The ingredients that make up this particular Brew are as follows. Take a young guitarist that is part Jimmy Page, part Stray's criminally underrated Del Bromham and a little Jimi Hendrix add an equally young drummer in the John Bonham mould and top it off with the drummer's dad who supplies some great vocals and plays a damn good bass. Take a pinch of blues, some large dollops of Cream, a heavy helping of Zeppelinesque classic rock, add some R & B and a few full on storming riffs and mix it all up. Take them out of Grimsby, put them on any stage for an hour and you have people falling off their chairs in collective ecstasy. Already voted 'Best Band' by magazines and already a regular on the European tour circuit The Brew have now released The Joker an eight track CD written by the trio and played by a band with massive potential.

In guitarist Jason Barwick they have a truly exceptional talent. He is young and impossibly good. The likes of this don't come around that often. Comparisons to Jimmy Page or Paul Kossoff should be made carefully, but this guy is exciting and deserves those types of accolades. Drummer Kurtis Smith attacks his kit like a machine gun in the hands of a professional marksman. Tim holds it together nicely with some dynamic bass lines and delivers vocals that totally suit what The Brew are doing.

At the Rock 'n' Blues Custom Show in the UK last year they were invited back to play for a second spot and that has never been done before. When they played the Maasboulevard Festival in Holland they received equally rave reviews one calling them the Holy Trinity. Hearing The Joker has helped revived my faith in British rock music. Since starting this Eurorock feature I have been invigorated by some quality bands and The Brew sit right up there blazing a very bright trail.

Jason is extraordinarily good but the band combine together so effectively that they generate enough power to light their own show. "Postcode Hero" kicks it off and oozes Cream class. As soon as Jason scorches in they have your undivided attention. "Lies" has a well worked light/dark texture to it. Delicate one minute, driving riff the next. Never overbearing, never pushing too hard – just a wonderfully effective track driven by Kurtis's powerful drumming. "The Joker" starts with a George W. Bush voice over - the sentiment of the track is obviously in its title – and has an excellent vocal delivery from Tim. "Dil Chahta Hai" maintains the quality."Hearts Desires" is more Stray than Stray – if you don't know who they were you really need to find out. It's a really good rock song, full stop.

Next up comes "Burt's Boogie" which I am sure is a centre piece for any live gig and has Kurtis doing an impressive sounding drum solo before Jason storms in like a freight train. "Break Free" and a slightly less effective "24 Hours (From Yesterday)" bring it all to an end. Or does it? Hang on in there for the extra track, opening with a little more George W. and some truly stunning guitar work from our young virtuoso. Unbelievably good.

The Joker is an exciting CD. When I was a teenager the world was full of what we now call Classic Rock – this CD made me feel that age again. The potential of the band is huge. Write more stuff like this and keep rocking the circuit and pretty soon The Brew will be even hotter. Take it from me that The Brew is a recipe well worth tasting. (http://blogcritics.org/music/article/music-review-the-brew-the-joker/)



Tracklist:

01 - Postcode Hero 03:35

02 - Lies 04:38

03 - The Joker 03:48

04 - Dil Chahta Hai 01:22

05 - Hearts Desire 05:01

06 - Burt's Boogie 06:20

07 - Break Free 05:25

08 - 24 Hours (From Yesterday) 08:06





The Brew (UK) here:

Get it!

Mirror



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